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Blush Pink Tundra Carnation
The petals carry a soft, cool-toned blush that photographs well in nearly any room in the house. Chive's artisans shape every layer of the carnation by hand, building its dense, ruffled edge until it holds its shape permanently rather than wilting after a few days in water. It mounts flat with a single screw, requiring no vase, sunlight, or maintenance of any kind going forward. The Art Gallery of Ontario has built its ceramics collection around exactly this kind of hand-finished craftsmanship, the same standard Chive holds itself to on every flower.
| Dimensions: |
4.5" X 4.5" |
| Item #: |
1603 |
| Price: |
$32.60 |
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Champagne Pink Hydrangea
Hydrangea symbolism has always leaned toward abundance and gratitude, which tracks, since the hydrangea has never once shown up to an arrangement without taking up more room than anything around it. Ours arrives in Champagne Pink, a shade that isn't subtle and was never trying to be, the flower equivalent of the guest who makes every room feel like something is happening. Fresh hydrangea blooms hold for maybe a week before petals start browning, a fast ending for a generous flower. Ceramic keeps the full, layered bloom exactly as it arrived, with nothing to trim, nothing to feed, and no water to change. Mount it as a solo statement piece, or let it anchor smaller blooms from the collection — either way it does what a real hydrangea does, just permanently. Every petal is shaped by hand at Chive Ceramics Studio, built layer by layer until the bloom reads full at its peak. Chive pieces are carried by the Amon Carter Museum of American Art gift shop, chosen for guests drawn to color with presence.
| Dimensions: |
3.5" X3.5" |
| Item #: |
1606 |
| Price: |
$25.55 |
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Peach Mocha Cornflower
Cornflower meaning draws on centuries of growing wild through European wheat fields, a flower more used to surviving than being admired for its natural color. Peach Mocha changes that arrangement entirely, pairing two colors more at home in a café than a field and asking the cornflower to wear them anyway. It does, with the kind of unbothered grace that comes from having already survived stranger circumstances over centuries. Japandi wall art depends on restrained color paired with organic form, and this piece supplies both without straining for either quality. At 4.5 inches diameter, it holds its place on a wall without fading, drooping, or needing a vase changed weekly. The ceramic glaze locks in the exact peach-mocha gradient permanently, from the very first day it arrives. Indianapolis Museum of Art has long paired botanical subjects with color theory in its collections, a pairing this piece embodies without a single spoken word.
| Dimensions: |
4.5” X 4.5” |
| Item #: |
1607 |
| Price: |
$32.65 |
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Peridot Green Maiden Lotus
Organic modern decor is a category defined by forms that look as though they emerged from a natural system rather than a design meeting — and the Peridot Green Maiden Lotus qualifies on both counts. Four and a half inches across. One screw, no water, no maintenance. The maiden lotus is a bloom captured at the stage between bud and full open — not closed, not spread, something between, which horticulturalists call the maiden stage and which ceramic is the only material that will hold there indefinitely. In peridot green, the color of something that has decided exactly where it is and does not intend to move further in either direction. The studio has been producing lotus forms since 2004; the maiden variety was introduced specifically because the in-between stage is the most formally interesting and the least reproducible in a living plant. It cannot stay. The ceramic version can. Carried by the Monterey Bay Aquarium, part of the studio’s museum retail collection.
| Dimensions: |
4”X 4" |
| Item #: |
1603 |
| Price: |
$25.70 |
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